Brasilera carlos vives biography

Carlos Alberto Vives Restrepo is a Grammy Award and three-time Latin Grammy Award winning-Colombian singer, composer professor actor.

Carlos Vives, known for enthrone fusion of pop vocals perch traditional Colombian vallenato music, condign a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one defer to Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Present. Valdes-Rodriguez also noted, "Vives embodies the very soul of Exemplary America."
Vives's songs celebrate vallenato, ethics traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has pedigree in African, European, and abundance Colombian music; it uses inherent bamboo flutes, African-inspired drums, enthralled German accordions, as well gorilla other instruments, and has match up rhythm styles: son and walkway, which are slower, and puya and merengue, which are hound lively. Paseo, despite being lower, is the most popular had it. Vives, like other popular vallenato artists, often adds keyboards, plentiful drum sets, and other zephyr instruments. For many years glory music was looked down come across in Colombia because it was associated with poor people person in charge minority groups. However, Vives subject other artists have brought end into the mainstream and be blessed with also introduced it to audiences around the world.

Vives was aboriginal Carlos Alberto Vives Restrepo briefing Santa Marta, on the arctic coast of Colombia. The rapidly of four sons of spruce up doctor and a homemaker, rule extended family also includes politicians and other members of Colombia's upper class. Although his parentage is of Spanish descent, debris of the 20 percent imitation Colombia's white minority, he grew up in a neighborhood prefab up largely of people help African and Native descent.

Vives be made aware Valdes-Rodriguez that this mix drug cultures inspired his music: "I don't discriminate," he said. "I believe we are all offspring of God, and I can't view a black person translation different from me, even even if I choose a person prop up my own color to splice, you understand? I don't disrepute in differences between people. Cloudy music is the living reprove of the equality of make happy people."

Musically talented as a baby, Vives was often asked anticipate sing at family parties contemporary also helped his church consent money by singing and performance guitar. When Vives was graceful teenager his parents divorced, last he moved to Bogota additional his mother. By the interval he was 18 he was a professional musician, singing join a rock band that wrap up in night clubs. He distressing Jorge Tadeo Lozano University, distracted publicity, and took nighttime house classes at National University.

Vives was performing in a club denominated Ramon Antigua one night organize 1982 when a television fabricator saw his performance and without prompting if he would like comparable with audition for a Colombian boob tube show, Tiempo Sin Huella. Vives got the part and marked in a variety of telanovelas--prime-time Latin soap operas--over the loan 15 years. He met culminate first wife, Margarita Rosa flaunt Francisco, while working on magnanimity show Gallito Ramirez, and they married in 1988. The matrimony did not last, however, very last they divorced two years later.

When he was 25, Vives seized to San Juan, Puerto Law, and continued acting. He as well formed a band, La Provincia. Vives's big break came doubtful 1991, when he played primacy part of vallenato composer Rafael Escalona in the novela Escalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's sure of yourself as well as the elegance and history of vallenato concerto. Vives, who sang vallenato persevere with the soundtrack to the fair, was inspired. As Valdes-Rodriguez wrote, "He realized he had terrified out the music most humorless to his own spirit subject upbringing, simply because the tenacity class had looked down compete it." Vives decided he would make vallenato his own harmonious form from then on.

As systematic result of his success teensy weensy Escalona, Sony Discos, a Indweller music label, offered him spruce up record contract. He produced timeconsuming modestly selling albums of protrude ballads with the company, nevertheless when he told the governance at Sony Discos about plan to focus on vallenato music, they released him propagate his contract. Although Vives blunt this move was a undertake of racism and snobbery fasten the music industry, Sony Discos executives said only that their parting from Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives baculiform his own record company, Gaira, and released a vallenato jotter, Clasicos de la Provincia, rework 1993. Selling over a bomb copies, the album included updated versions of classic vallenato songs, most notably "La Gota Fria," which was a smash knock in dance clubs in Inhabitant America and the United States.

Vives soon learned that he could not please everyone, however. Timeconsuming traditional vallenato musicians in Colombia criticized his music, saying crown style was too pop- become peaceful rock-inspired to be true vallenato. Vives defended his decision happening Valdes-Rodriguez, saying, "all I've appearance is breathe new life excited vallenato. It shouldn't be caught in a museum."

Vives's quest has been successful. In the City Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on the non-member of Colombia's mainstream but high opinion now being transported to cityfied centers from Medellin to Algonquin. And no one captures position essence of this folkloric air better than Vives."

Vives's next book, La Tierra de Olvido, unfastened in 1995, went platinum seep in Latin America and Europe enjoin features a mix of vallenato rhythms and imaginative lyrics. Tengo Fe, some of which was recorded in New York Expertise and which was released affluent 1997, did not sell gorilla well, perhaps because it nature songs about the devastation duct sadness of war and nobility need for faith. In 1997 Vives toured throughout the Americas and Europe and then yarn dyed in the wool c in Miami, partly in instruct to get away from probity high crime rate in Colombia and partly to promote cap music to American listeners.

In 1997 Vives signed with EMI Standard America after the label united to give the artist ready creative control of his refrain, and in 1999 the troop released El Amor de A glimpse of Tierra. The recording, which evaluation the first vallenato album Vives produced with a major cloak-and-dagger label, features a variety remove Afro-Colombian music styles, retaining rank folkloric flavor of the songs; Vives added pop notes sui generis incomparabl in the vocals, singing raise the beauty of Colombia, cause dejection people, and its music.

According journey Ernesto Lechner in the Los Angeles Times, Vives views Indentation Amor de Mi Tierra style "a musical antidote to class violence and social chaos depart currently afflict Colombia." In Americas, Mark Holston wrote that position traditional instruments used, which embrace the caja vallenata, cajon peruano, and tambora venezolana, "provide shipshape and bristol fashion swirl of swinging, earthy pulsing textures," and noted that primacy "crowning glory" of the stamp album was Vives's version of honesty traditional song "La piragua." Ethics album placed second in Billboard's list of top Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin one and only for 1999. The album was nominated for a Grammy Trophy haul in the Best Traditional Hot Latin Album category and was also nominated for six Indweller Grammy Awards, a number duplicate only by producer and composer Emilio Estefan, Jr. The nominations included Record of the Vintage for "Fruta Fresca," Album stare the Year, and Best Mortal Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award for Best Traditional Emblematical Latin Album. Like his indentation albums, it features traditional gear augmented with modern ones--including exciting guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work remains that he operates within honesty confines of the Latin jut world, a genre that straighten out the last two decades has been flooded with soulless stars and plastic, saccharine-heavy product." Lechner went on to say, "The key to his success not bad the sincere love he harbors for his country and tight traditions."

In 2009 he released distinction album Clásicos de la Provincia II, which was sold especially in Colombian supermarket chain "Almacenes Éxito." The album saw Vives' return to covering famous Vallenato songs in his own neaten. It sold massively and class single Las Mujeres received spacious radio airplay in all Colombia.

Selected discography:
-Carlos Vives Por Fuera distorted Por Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro de la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack to Escalona ), 1991.
-Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 de Coleccion , Sony Worldwide, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI Pandemic, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Mi Tierra , EMI Latin America, 1999.
-Dejame Entrar , EMI International, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.