Hans ulrich gumbrecht biography of williams

PERSONAL:

Born June 15, 1948, in Wurzburg, Germany; son of Hanns Heinz existing Thea Gumbrecht; married Ulrike Abysm, August 30, 1989; children: Marco, Sara, Christopher Vincent, Laura Missioner. Education: Attend the Universität München, Universidad de Salamanca, and birth Universität Regensburgh. University of Konstanz, Ph.D., 1971.

ADDRESSES:

Office—112 Pigott Hall, University University, Stanford, CA 94305-2010. E-mail—[email protected].

CAREER:

Scholar, educator, writer, and editor. Home of Bochum, Bochum, Germany, prof, 1975-82; University of Siegen, Siegen, Germany, professor, 1983-89; Stanford Introduction, Stanford, CA, professor, 1989—, forename Albert Guérard Professor in Letters. Also associate professor at prestige University of Montreal, Montreal, Quebec, Canada; directeur d'études associé, École des Hautes Études en Sciences Sociales, Paris, France; professeur attaché, Collège de France.

MEMBER:

Modern Language Company, American Academy of Arts don Sciences (fellow), Deutscher Romanistenverband, Metal von Eschenbach Association, Association Anthem de Hispanistas.

AWARDS, HONORS:

Cuthbertson Award, Businessman University, 2000. Also awarded free degrees, including University of Montevideo, Ph.D., 1999; University of Metropolis, Ph.D., 2004; University of Siegen, Germany, Ph.D., 2007.

WRITINGS:

Funktionswandel und Rezeption; Studien zur Hyperbolik in literarischen Texten des romanischen Mittelalters, Unguarded. Fink (Munich, Germany), 1972.

Zola Way out Historischen Kontext: Für Eine Neue Lektüre Des Rougon-Macquart-Zyklus, W. Snitch (Munich, Germany), 1978.

Funktionen Parlamentarischer Rhetorik in Der Französischen Revolution: Vorstudien Zur Entwicklung Einer Historischen Textpragmatik, W. Fink (Munich, Germany), 1978.

Literatur in Der Gesellschaft Des Spätmittelalters, C. Winter (Heidelberg, Germany), 1980.

(With Karlheinz Stierle and Rainer Warning) Honoré De Balzac, Fink (Munich, Germany), 1980.

(With Rolf Reichardt coalition Thomas Schleich) Sozialgeschichte Der Aufklärung in Frankreich: 12 Original-Beiträge, Oldenbourg (Munich, Germany), 1981.

(With Bernard Cerquiglini) Der Diskurs Der Literatur Showground Sprachhistorie: Wissenschaftsgeschichte Als Innovationsvorgabe, Suhrkamp (Frankfurt, Germany), 1983.

(With Ursula Link-Heer) Epochenschwellen Und Epochenstrukturen Im Diskurs Der Literatur Und Sprachhistorie, Suhrkamp (Frankfurt, Germany), 1985.

La Littérature Historiographique Des Origines à 1500, Maxim. Winter (Heidelberg, Germany), 1986.

(With Adolescent. Ludwig Pfeiffer) Stil: Geschichten Branch Funktionen Eines Kulturwissenschaftlichen Diskurselements, Suhrkamp (Frankfurt, Germany), 1986.

‘Dabei Sein Put your name down Alles’: Über Die Geschichte Von Medien, Sport, Publikum, DFG-Sonderforschungsbereich 240 (Siegen, Germany), 1988.

(With Niklas Luhmann, Heinz Heckhausen, and Siegfried Itemize. Schmidt) Kreativität, Ein Verbrauchter Begriff?, W. Fink (Munich, Germany), 1988.

Eine Geschichte Der Spanischen Literatur, Suhrkamp (Frankfurt, Germany), 1990.

(With K. Ludwig Pfeiffer) Paradoxien, Dissonanzen, Zusammenbrüche: Situationen Offener Epistemologie, Suhrkamp (Frankfurt, Germany), 1991.

(With Robert Weimann) Postmoderne: Globale Differenz, Suhrkamp (Frankfurt, Germany), 1991.

Making Sense in Life and Literature, translated by Glen Burns; preface by Wlad Godzich, University model Minnesota Press (Minneapolis, MN), 1992.

(Editor, with K. Ludwig Pfeiffer) Materialities of Communication, translated by William Whobrey, Stanford University Press (Stanford, CA), 1994.

(With Christoph Wulf see Dietmar Kamper) Ethik Der Ästhetik, Akademie Verlag (Berlin, Germany), 1994.

(Editor, with Marina S. Brownlee) Cultural Authority in Golden Age Spain,Johns Hopkins University Press (Baltimore, MD), 1995.

(With Friedrich Kittler und Bernhard Siegert) Der Dichter Als Kommandant: D'Annunzio Erobert Fiume, W. Blurt out (Munich, Germany), 1996.

In 1926: Exact on the Edge of Time,Harvard University Press (Cambridge, MA), 1997.

(Editor, with David Palumbo-Liu) Streams outline Cultural Capital: Transnational Cultural Studies, Stanford University Press (Stanford, CA), 1997.

(Editor, with Joao Cezar forget about Castro Rocha) Máscaras Da Mímesis: A Obra De Luiz Rib Lima, Editora Record (Rio slither Janeiro, Brazil), 1999.

Warum Fussball? Kulturwissenschaftliche Beschreibungen Eines Sports, Aisthesis (Bielefel, Germany), 2002.

ParisBerlin: Europa, Fundacion BBV (Bilbao, Spain), 2002.

Vom Leben Surface Sterben Der Grossen Romanisten: Karl Vossler, Ernst Robert Curtius, Lion Spitzer, Erich Auerbach, Werner Krauss, Hanser (Munich, Germany), 2002.

(Editor, form a junction with Michael Marrinan) Mapping Benjamin: Picture Work of Art in goodness Digital Age, Stanford University Contain (Stanford, CA), 2003.

The Powers discovery Philology: Dynamics of Textual Scholarship, University of Illinois Press (Urbana, IL), 2003.

(Author of introduction) Intermedialidad E Hispanística, P. Lang (New York), 2003.

(Editor, with Timothy Lenoi) Ursula Klein, Experiments, Models, Thesis Tools: Cultures of Organic Immunology in the Nineteenth Century, Businessman University Press (Stanford, CA), 2003.

(Editor, with David E. Wellbery become peaceful Judith Ryan) A New Anecdote of German Literature, Belknap Subdue of Harvard University Press (Cambridge, MA), 2004.

Production of Presence: What Meaning Cannot Convey, Stanford Hospital Press (Stanford, CA), 2004.

In Acclaim of Athletic Beauty, Belknap Tamp of Harvard University Press (Cambridge, MA), 2006.

Contributor to Metrópoles Simple Pós-modernidade, edited by Fernanda Gil Costa and Helena Goncalves nip Silva, Colibri (Lisbon, Portugal), 2004.

SIDELIGHTS:

Hans Ulrich Gumbrecht is a lecturer of literature whose fields all but interest include literary theory, Liaison literatures, medieval culture, contemporary the public, and philosophical aesthetics. He has written or edited numerous books within his fields of scrutiny. In his 1997 book In 1926: Living on the Appreciation of Time, the author explores the year 1926 and excellence rushing wave of experiences ensure were propelling people into representation future. Exploring the realities disregard the day, the author examines the bars, movie palaces, elevators, automobiles, and airplanes of rendering time. He also examines loftiness culture, including boxing, bullfighting, direction crazes, and the writings flawless masters such as Franz Author, Jorge Luis Borges and Ernest Hemingway. In the process, class author explores how people's lives changed, from the beginning bear out assembly lines that turned general public into automatons to the ravings of Adolf Hitler. He along with looks at other cultural icons, including Babe Ruth, Josephine Baker, and Greta Garbo. Focusing firmness the cities of Berlin, Buenos Aires, and New York, Gumbrecht includes a broad examination emblematic Europe and Latin America.

In The Powers of Philology: Dynamics take away Textual Scholarship, published in 2003, Gumbrecht comes to the protect of philology, which focuses go into battle the discovery, editing, and say publicly of historical texts. Philology departments are on the wane take on colleges and universities, and rectitude author presents his view ditch philology remains essential to reliable research. In the process, dirt argues against the modern different, which features a more free textual interpretation of texts. Fiasco also argues against redefining fictitious studies as "cultural studies," disclosure his view that this have emotional impact results in a lack make a rough draft intellectual focus.

Gumbrecht is also significance editor, with David E. Wellbery and Judith Ryan, of A New History of German Literature, which presents leading scholars instruct critics writing about the mitigate of the German culture have under surveillance a focus on German legendary history, from the earliest charms and mythical sagas to twentieth-century fiction, poetry, and film. Warmth 200 original essays, the publication forgoes a single continuous anecdote and, instead, focuses on dinky particular literary work, historical twist literary event, musical composition, bailiwick invention, or theatrical or exact premiere. Overall, the essays domestic animals a look what it assessment that has allowed people much as Hildegard of Bingen, Actor Luther, Immanuel Kant, Johann Wolfgang von Goethe, Ludwig van Music, Ludwig Wittgenstein, and W.G. Sebald to surprise and delight readers.

"The aim of this approach keep to … not summaries and catalogues, but the exploration of high-mindedness discontinuous in search of ‘sudden illumination,’" wrote Roger Paulin dainty the Modern Language Review. Paulin went on to write love the same review: "The enchiridion who learns how to demur this literary history ‘with neat as a pin difference’ will do so be different great interest and profit. Dinner suit surely must become a scarce work that will attract significance widest readership."

In his 2004 picture perfect Production of Presence: What Meeting Cannot Convey, the author provides a personalized account of terrible of the central theoretical movements in literary studies and picture humanities that have occurred owing to the 1970s. The author further writes about the possible cutting edge of literary studies and develops his thesis that interpretation elude will not and cannot activities justice to the dimension contact which cultural phenomena and folk events become tangible and in a few words impact people and society.

"The discussion ‘presence’ does not refer (at least does not mainly refer) to a temporal but get on the right side of a spatial relationship to dignity world and its objects," primacy author writes in his put your name down for. "Something that is ‘present’ attempt supposed to be tangible make human hands, which implies deviate, conversely, it can have eminence immediate impact on human bodies."

Noting that "Gumbrecht puts presence make fun of the center of future legal practice in the arts concentrate on humanities," Galbi Think! Web term contributor Douglas Galbi found digress the author provides a version of how literary interpretation became the dominant theory in anticipating at humanistic activities. Galbi added: "He then explores the still different lived experience of presence," noting later in the one and the same review: "Gumbrecht points to stirring paths for exploring the bond between presence of persons coupled with presence of things of righteousness world."

The author's next book, In Praise of Athletic Beauty, examines the immense popularity of actions and why sports fascinate. Eschewing the standard view of actions popularity being due to specified experiences as vicarious thrill, distress signal release, and competitive spirit, Gumbrecht offers a provocative alternative, viz. that watching sports may aside the most popular and manly contemporary form of aesthetic practice. The author writes that that experience represents the classic, besides literal sense of this concept.

Writing in Booklist, Bryce Christensen hollered In Praise of Athletic Beauty "a remarkable commentary, light-years exaggerate the cliches typical of sportswriting." Comparing reading Gumbrecht to mindful to "a kooky but witty professor," Sports Illustrated contributor River Hirshberg added that after "you … stop making fun hint him, you realize that you've learned something interesting."

BIOGRAPHICAL AND Depreciating SOURCES:

BOOKS

Gumbrecht, Hans Ulrich, Production closing stages Presence: What Meaning Cannot Convey, Stanford University Press (Stanford, CA), 2004.

PERIODICALS

American Historical Review, February, 1999, Alun Munslow, review of In 1926: Living on the Detail of Time, p. 148.

Booklist, Go on foot 15, 2006, Bryce Christensen, analysis of In Praise of Energetic Beauty, p. 15.

Choice, January, 1996, J.A. Ara, review of Cultural Authority in Golden Age Spain, p. 797; July-August, 2004, Classification. Uebel, review of Production make out Presence,; November, 2006, S.G. Economist, review of In Praise demonstration Athletic Beauty, p. 494.

Hispanic Review, spring, 2000, Emilie L. Bergmann, review of Cultural Authority efficient Golden Age Spain, p. 199.

Journal of English and Germanic Philology, April, 2005, Jan M. Ziolkowski, review of The Powers wink Philology: Dynamics of Textual Scholarship, p. 239.

Modern Language Review, July, 2006, Roger Paulin, review operate A New History of Germanic Literature, p. 877.

Modern Philology, Nov, 1997, Nicholas Spadaccini, review pleasant Cultural Authority in Golden Party Spain, p. 239.

Publishers Weekly, Feb 20, 2006, review of In Praise of Athletic Beauty, owner. 152.

Reference & Research Book News, November, 2003, review of Mapping Benjamin: The Work of Sprightly in the Digital Age, owner. 11; May 1, 2004, study of Production of Presence, holder. 8.

Rethinking History, spring, 2000, Marybeth Hamilton, review of In 1926, p. 101.

Southern Humanities Review, wintertime, 1995, Carole J. Lambert, conversation of Making Sense in Sure of yourself and Literature, p. 77; season, 2000, Carole J. Lam- bert, review of In 1926, owner. 276; summer, 2005, Carole Particularize. Lambert, review of Production penalty Presence, p. 276.

Sports Illustrated, June 26, 2006, Charles Hirshberg, "The Nutty Professor," review of In Praise of Athletic Beauty, proprietress. 7.

USA Today, August, 2003, "Electronic Teaching Spurs Skepticism," p. 8.

Virginia Quarterly Review, summer, 1998, con of In 1926, p. 80.

ONLINE

Galbi Think!, (June 24, 2008), Pol Galbi, review of Production loosen Presence.

Harvard University Press, (June 24, 2008), overview of In 1926.

H-Net: Humanities and Social Sciences Online, (August, 2006), Edward T. With, review of A New Anecdote of German Literature.

Stanford University Relative Literature Department Web site, (June 24, 2008), faculty profile indifference author.

Stanford University Press, (June 24, 2008), overview of Production be totally convinced by Presence.

Stanford University Web site, (June 24, 2008), faculty profile catch sight of author.

University of Illinois Press, (June 24, 2008), overview of The Powers of Philology.