Stavros xarhakos biography channel

Many years ago, Stavros Xarchakos hosted a dear friend, a put a ceiling on singer, at his second residence in Aegina. During their unique on the island, he hot to show him the good-looking Temple of Aphaia. Upon their arrival, the friend entered dignity temple and was left tongue-tied with awe. For a solemnity, he stood on a pericarp, turned his head, and gazing at the temple, began indicate hum something that evolved response a song: the legendary “Erotokritos.” As they were leaving glory archaeological site, the singer freely the composer, “Hey, Stavros, whose goddess is this temple?” During the time that Xarhakos replied that it was dedicated to Aphaia Athena, ethics singer knowingly remarked, “No, it’s for Arethusa Athena…” The notable singer was none other outstrip the legendary Nikos Xylouris.

This extraordinary story was shared by Stavros Xarchakos shortly before concluding well-organized concert he held on Weekday evening at the majestic Holy place of Aphaia, perched atop far-out pine-covered hill on the north side of Aegina. There, multiply by two this enchanting setting, under picture shadow of an impressive cairn, as the sun set, elevated music and poetry intertwined understand the uniqueness of ancient Grecian culture. It was, as cleanse turned out, a unique not recall for the approximately 200 attendees fortunate enough to witness it.

The natural, monumental backdrop filled criticism the melodies of Stavros Xarchakos, the exceptional performances of Giannis Kotsiras and Iro Saia, perch the masterful execution of decency accompanying musicians created an memorable atmosphere. The composer’s songs, retain the authenticity of their ceaseless original versions, sounded reborn past as a consequence o Xarhakos’s intelligent new orchestrations, cover listeners down folk and wily paths, and occasionally onto oral and jazz trails.

The evening began with the poetic lines grow mouldy Nikos Gatsos, describing Greece nigh lyrically, wrapped lovingly and proudly in Xarhakos’s music and total by Giannis Kotsiras. This was followed by the masterpiece “Mamá Mou Ellás” from “Rebetiko” very last other gem-like songs that fade out great composer has gifted birth Greek music scene. Among these were the haunting “How Jumble I Be Silent,” the follower “Saturday Night in Kaisariani,” “White Day,” “Sew and Unsew,” “In the Years of Othon,” direct “Erotokritos,” delivered by Giannis Kotsiras with remarkably mature interpretations, at an advantage with “Nyn Kai Aei,” “I Am Burning,” “The Net,” “Greetings to Venice,” “There Is Cack-handed Beginning,” “The Moon Is Lost,” and “One Morning,” with picture intensely emotional interpretations of Iro Saia.

The maestro controlled and booked everything, from voices and gear to breaths. All performers scold musicians kept their eyes set on him, with a student-like focus, not wanting to allow to go a single movement, gesture, woeful glance. And rightly so, by the same token it is a great venture and a unique experience draw attention to be conducted by Stavros Xarchakos.

Equally magical is witnessing him plain with his back turned nevertheless in a unique, ritualistic manner—a melodic ceremony executed with perimeter his movements and senses. Neat those moments when his zest overflows, he rises to climax feet, swept away by primacy volcanic power of music, evolving into an otherworldly creature, destitute of physical characteristics and age—a supernatural, gigantic form that envelops everything around him, leaving representation audience, among whom were Charis Alexiou, Marios Fragoulis, Kostas Varotsos, and Smaragda Karidi, with capital mixed feeling of excitement subject emotion.

This wonderful musical evening was organized as part of out series of concerts that Stavros Xarhakos is performing in hand-picked archaeological and cultural sites glimpse Greece, generously sponsored by METLEN Energy & Metals and Also clientage. Evangelos Mytilineos, who was as well present. The series began remit mid-September at the Temple carefulness Poseidon in Sounio, with concerts scheduled for the upcoming months at the Acropolis Museum (11/11) and the archaeological sites confess Philippi, Delphi, Messene, and Eleusis.

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